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With Pleasure: Pattern and Design in American Art 19721985 is the very first full-scale academic survey of this groundbreaking American art motion, encompassing works in painting, sculpture, collage, ceramics, setup art, and efficiency documents. Covering the years 1972 to 1985 and including roughly fifty artists from throughout the United States, the exhibition examines the Pattern and Design movement's bold welcome of kinds traditionally coded as womanly, domestic, ornamental, or craft-based and believed to be unconditionally inferior to fine art.

Their work throughout mediums specifically evokes a pluralistic array of sources from Islamic architectural decoration to American quilts, wallpaper, Persian carpets, and domestic embroidery. Pattern and Design artists practiced a postmodernist art of appropriation borne of love for its sources instead of the negative detachment that ended up being de rigueur in the worldwide art world of the 1980s.

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Though little studied today, the Pattern and Design motion was institutionally recognized, critically gotten, and commercially effective from the mid-1970s to the mid-1980s. The overwhelming prevalence of craft-based practices and unabashedly decorative sensibilities in art of the contemporary indicate a prominent P&D tradition that is ripe for factor to consider. With Enjoyment: Pattern and Design in American Art 19721985 is organized by Anna Katz, Curator, with Rebecca Lowery, Assistant Manager, The Museum of Contemporary Art, Los Angeles.

Significant assistance is offered by MOCA Projects Council and the Carl & Marilynn Thoma Art Structure. Additional support is provided by Clinton Hill/Allen Tran Foundation, Helen N. Lewis and Marvin B. Meyer Charitable Fund in Loving Memory of Marvin B. Meyer, and Thomas Solomon and Kimberly Mascola.  Another Point of View  at MOCA are supported by the MOCA Fund for Exhibitions with major funding supplied by The Offield Family Foundation and generous funding provided by Dr.

Holland Structure, Nathalie Marciano and Julie Miyoshi, Steven and Jerri Nagelberg, Beth Redmond, and Jonathan M. Segal through the Rhonda S. Zinner Structure. This exhibit will take a trip to Hessel Museum of Art, Center for Curatorial Studies, Bard College from June 26 - November 28, 2021.

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Please see the Fire Avoidance page for additional information, and our What to Bring page for details on permitted and forbidden appliances. Please keep these policies in mind when decorating your room/suite/apartment. Curtains, drapes, hangings, banners, and fabric flags are not allowed. They may not be suspended from walls, windows, or ceilings.